The Enlightened Window

A little after 2:00 p.m., on 15 December 2005, in Santa Fe, New Mexico, I photographed the front window of Evangelo’s Cocktail Bar. It displayed a melange of images taped and painted on the pane, including: a partial events calendar, a cash only sign, an ice blue and yellow hand-painted welcome star or flower, a spindly yellow painting that appeared to be a Christmas decoration, and two Xeroxed copies of photographs originally taken by the renown photographer W. Eugene Smith, during the Second World War, of Angelo Klonis, the founder of the bar. Behind all this a table, or some other piece of furniture, leaned against the glass.

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Evangelo’s Window, Santa Fe, NM

This was not a window dressed by a professional. It was not conventionally beautiful, pretty or appropriate to the season. But it was an intriguing assemblage that called out to be photographed. And for me it was a pleasing find—a Christmas gift.

I find windows fascinating aesthetically and for what they reveal about the people who made them and those who live and work behind them. Windows are historical, cultural, social, political and artistic statements both in their form and by whatever appears on and behind the glass.

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City Lights Bookstore window, San Francisco, CA

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“Storrer’s” (vacant storefront window), Owosso, MI

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1947 Dodge Pickup, Davison, MI

The fundamental purpose of the window is to allow light in but some emit enlightenment. They are portals for vision and imagination. They can be promises, gifts or disappointments. They demarcate the here from there, the then from now. They show, tell and inspire.

© 2018 Michael Maurer Smith

 

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